The Everywhere Studio

This catalog traces the evolution of the artist’s studio, as a physical site and a concept, from the 1960s to the present day. Myths of our contemporary world would seem to make the studio obsolete, and yet the traditional aura of the artist’s space persists. The Everywhere Studio looks at its ongoing importance through its history and its politics. It poses questions such as how economic forces, and changes to labor and media, have complicated the idea of the studio. Bringing together leading postwar and contemporary artists in the field of painting, sculpture, video, and installation, this book offers a chronological investigation into how technology, identity, and a shifting economy have affected the relationships of artists to their sites of production and modes of creating and living.

This catalog was published on the occasion of the exhibition “The Everywhere Studio” organized by the Institute of Contemporary Art, Miami. Dec 1, 2017–Mar 4, 2018. 

Year
2017

Cover Medium
Hardback

Editors
Alex Gartenfeld, Gean Moreno, Stephanie Seidel

Authors
Contributions from Sampada Aranke, Sabeth Buchmann, Caroline Busta, Tim Griffin, Tomohiri Masuda, John Miller, Jacob Proctor, John C. Welchman

Designer
Chad Kloepfer

Publisher
DelMonico Books • Prestel

Pages
288

Dimensions
10 x 12 inches

Additional Credits Cover:
Stuart Brisley, ZL656395C, 1972.
17 days of continuous performance. Gallery House, London.
Photographer: Alaric Aldred.
Courtesy of Galerie Jaqueline Martins, São Paulo;
Hales London; Mitchell Algus Gallery, New York. © the artist.